![]() Focused primarily on sports within the USA, this monthly magazine covers the latest and greatest sports news and also looks further afield at the people and teams competing across the rest of the world to give you a better understanding of sports’ impact on society as a whole.Įach exciting edition features up-to-date coverage and measured commentary on the latest developments within the sporting world. “We had to put the legendary quartet simultaneously on the cover of both British and American Vogues.Supplying fans with everything they need to know about the sports they love - Sports Illustrated is the iconic industry-leading voice in sports. “For such a hallowed moment, my esteemed co-conspirator Anna Wintour – editor-in-chief of American Vogue and Condé Nast’s chief content officer – and I decided there was only one thing for it,” Enninful writes. He is hotly tipped to replace Anna Wintour at US Vogue as and when she leaves, and his Editor’s Letter in the September issue underlines their alliance. Currently editor-in-chief of British Vogue, he will step down from the role in March - to take on a different role at Condé Nast, as Vogue’s global creative and cultural adviser and editorial adviser at British Vogue. The Vogue covers were styled by Edward Enninful. The documentary, produced by the models themselves, will no doubt capitalise on interest in their generation, and provide further opportunities. “Put them in campaign and they sell,” says Fendi artistic director, Kim Jones, in the Vogue article. In 2017, Versace caused an online frenzy when Campbell, Crawford, Christensen, Schiffer and Carla Bruni appeared in the catwalk show. While there have been other famous models since then - Kate Moss and Gisele Bundchen to name two - the supers have remained in the spotlight, and continue to appeal to consumers. ![]() “Why was I booked for the shows but not the ads? I was not close-mouthed.” She argues that her background meant she was not sexually exploited as a young woman: “I come from a strong line of Black women, Jamaican women. “Why was it that I was doing the same job as my colleagues and had to take less money?” she asks. “I probably missed out on some fabulous opportunities but probably avoided some less than fabulous opportunities as well.”Ĭampbell spoke out about the racism she experienced in the fashion industry. Crawford says her unsophisticated background helped her, because she wouldn’t go to parties. Speaking to Vogue, all four said they largely avoided sexual exploitation. The models experienced fashion during a pre-#MeToo era, working with photographers – including Bruce Weber, Patrick Demarchelier and Terry Richardson – who have since been accused of sexually inappropriate behaviour with models ![]() The demand for them rocketed in the 90s and Evangelista famously quipped “we don’t wake up for less than $10,000 a day”. Crawford, meanwhile, is the mother of one of the most popular models of the current generation, Kaia Gerber.Īll four women – as well as Patitz, Helena Christensen and Claudia Schiffer – are often considered the first models to become celebrities known outside the fashion industry. ![]() Campbell, meanwhile, also announced the arrival of her two children in 20 and continues to model on the catwalk for designers including Valentino and Off White. Last year, Evangelista spoke about how a fat-freezing treatment, CoolSculpting, left her “permanently deformed”, and about the psychological impact of the botched surgery. The women have hit the headlines more recently, too. “It wasn’t that I was in hiding, but this is something you talk about when you are ready.” “I was made to feel ashamed of my recovery,” she says. We are not the Beatles,” says Evangelista, on the reaction to the video, and the subsequent Versace fashion show finale, in which they lip-synced to the song as they linked arms and strutted down the runway.Ĭampbell is open about how her life changed with fame - such as when photographers captured her outside a Narcotics Anonymous meeting in 2001. The video featured all five models, apparently after Michael saw them on the Vogue cover. Now in their fifties, the four women will also appear in a documentary, The Super Models, on Apple TV in September, re-evaluating the late 1980s and early 90s, when they first began modelling.Ī feature in the magazine gives an idea of what the era was like for them, especially after the video for George Michael’s Freedom! ‘90 was released. It is only missing Tatjana Patitz, who died earlier this year. Now, 33 years later, the image has been recreated for September’s issue of the magazine, and a version of the cover will appear on the UK and US editions with the cover line: “The Greatest of All Time”.
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